Two portraits in oval frames were fastened to the wall on each side of the bed.

Mademoiselle Baptistine's ambition had been to be able to purchase a set of drawing-room furniture in yellow Utrecht velvet, stamped with a rose pattern, and with mahogany in swan's neck style, with a sofa.

　　But this would have cost five hundred francs at least, and in view of the fact that she had only been able to lay by forty-two francs and ten sous for this purpose in the course of five years, she had ended by renouncing the idea.

　　However, who is there who has attained his ideal?

　　Nothing is more easy to present to the imagination than the Bishop's bedchamber.

　　A glazed door opened on the garden; opposite this was the bed,--a hospital bed of iron, with a canopy of green serge; in the shadow of the bed, behind a curtain, were the utensils of the toilet, which still betrayed the elegant habits of the man of the world: there were two doors, one near the chimney, opening into the oratory; the other near the bookcase, opening into the dining-room. The bookcase was a large cupboard with glass doors filled with books; the chimney was of wood painted to represent marble, and habitually without fire. In the chimney stood a pair of firedogs of iron, ornamented above with two garlanded vases, and flutings which had formerly been silvered with silver leaf, which was a sort of episcopal luxury; above the chimney-piece hung a crucifix of copper, with the silver worn off, fixed on a background of threadbare velvet in a wooden frame from which the gilding had fallen; near the glass door a large table with an inkstand, loaded with a confusion of papers and with huge volumes; before the table an arm-chair of straw; in front of the bed a prie-Dieu, borrowed from the oratory.

　　Two portraits in oval frames were fastened to the wall on each side of the bed.

　　Small gilt inscriptions on the plain surface of the cloth at the side of these figures indicated that the portraits represented, one the Abbe of Chaliot, bishop of Saint Claude; the other, the Abbe Tourteau, vicar-general of Agde, abbe of Grand-Champ, order of Citeaux, diocese of Chartres.

　　When the Bishop succeeded to this apartment, after the hospital patients, he had found these portraits there, and had left them.

　　They were priests, and probably donors--two reasons for respecting them.

　　All that he knew about these two persons was, that they had been appointed by the king, the one to his bishopric, the other to his benefice, on the same day, the 27th of April, 1785.