Moving images used to be hostages to screens, both large (cinema) and small
(television). But, the advent of broadband and the Internet has rendered visuals
independent of specific hardware and, therefore, portable. One can watch video
on a bewildering array of devices, wired and wireless, and then e-mail the
images, embed them in blogs, upload and download them, store them online ("cloud
computing") or offline, and, in general, use them as raw material in mashups or
other creative endeavours.
With the aid of set-top boxes such as TiVo's,
consumers are no longer dependent on schedules imposed by media companies
(broadcasters and cable operators). Time shifting devices - starting with the
humble VCR (Video Cassette Recorder) - have altered the equation: one can tape
and watch programming later or simply download it from online repositories of
content such as YouTube or Hulu when convenient and
desirable.
Inevitably, these technological transitions have altered the
media experience by fragmenting the market for content. Every viewer now abides
by his or her own idiosyncratic program schedule and narrowcasts to "friends" on
massive social networks. Everyone is both a market for media and a distribution
channel with the added value of his or her commentary, self-generated content,
and hyperlinked references.
Mutability cum portability inevitably lead to
anarchy. To sort our way through this chaotic mayhem, we have hitherto resorted
to search engines, directories, trusted guides, and the like. But, often these
Web 1.0 tools fall far short of our needs and expectations. Built to data mine
and sift through hierarchical databases, they fail miserably when confronted
with multilayered, ever-shifting, chimerical networks of content-spewing
multi-user interactions.
The future is in mapping. Maps are the perfect
metaphor for our technological age. It is time to discard previous metaphors:
the filing cabinet or library (the WIMP GUI - Graphic User Interface - of the
personal computer, which included windows, icons, menus, and a pointer) and the
screen (the Internet browser).
Cell (mobile) phones will be instrumental
in the ascendance of the map. By offering GPS and geolocation services,
cellphones are fostering in their users geographical awareness. The leap from
maps that refer to the user's location in the real world to maps that relate to
the user's coordinates in cyberspace is small and unavoidable. Ultimately, the
two will intermesh and overlap: users will derive data from the Internet and
superimpose them on their physical environment in order to enhance their
experience, or to obtain more and better information regarding objects and
people in their surroundings.
The Maps of Cyberspace
"Cyberspace.
A consensual hallucination experienced daily by billions of legitimate
operators, in every nation, by children being taught mathematical concepts... A
graphical representation of data abstracted from the banks of every computer in
the human system. Unthinkable complexity. Lines of light ranged in the non-space
of the mind, clusters and constellations of data. Like city lights,
receding..."
At first sight, it appears to be a static, cluttered diagram
with multicoloured, overlapping squares. Really, it is an extremely powerfulway
of presenting the dynamics of the emerging e-publishing industry. R2 Consulting
has constructed these eBook Industry Maps to "reflect the evolving business
models among publishers, conversion houses, digital distribution companies,
eBook vendors, online retailers, libraries, library vendors, authors, and many
others. These maps are 3-dimensionaloffering viewers both a high-level
orientation to the eBook landscape and an in-depth look at multiple eBook models
and the partnerships thathave formed within each one." Pass your mouse over any
of the squares and a virtual floodgate opens - a universe of interconnected and
hyperlinked names, a detailed atlas of who does what to
whom.
eBookMap.net is one example of a relatively novel approach to
databases and web indexing. The metaphor of cyber-space comes alive in spatial,
two and three dimensional map-like representations of the world of knowledge in
Cybergeography's online "Atlas". Instead of endless, static and bi-chromatic
lists of links - Cybergeography catalogues visual, recombinant vistas with a
stunning palette, internal dynamics and an intuitively conveyed sense of
inter-relatedness. Hyperlinks are incorporated in the topography and topology of
these almost-neural maps.
"These maps of Cyberspaces - cybermaps - help
us visualise and comprehend the new digital landscapes beyond our computer
screen, in the wires of the global communications networks and vast online
information resources. The cybermaps, like maps of the real-world, help us
navigate the new information landscapes, as well being objects of aesthetic
interest. They have been created by 'cyber-explorers' of many different
disciplines, and from all corners of the world. Some of the maps ... in the
Atlas of Cyberspaces ... appear familiar, using the cartographic conventions of
real-world maps, however, many of the maps are much more abstract
representations of electronic spaces, using new metrics and
grids."
Navigating these maps is like navigating an inner, familiar,
territory.
They come in all shapes and modes: flow charts,
quasi-geographical maps, 3-d simulator-like terrains and many others. The "web
Stalker" is an experimental web browser which is equipped with mapping
functions. The range of applicability is mind boggling.
A (very) partial
list:
?a.. The Internet Genome Project - "open-source map of the major
conceptual components of the Internet and how they relate to each
other".
?a.. Anatomy of a Linux System - Aimed to "...give viewers a
concise and comprehensive look at the Linux universe' and at the heart of the
poster is a gravity well graphic showing the core software components,
surrounded by explanatory text".
?a.. NewMedia 500 - The financial,
strategic, and other inter-relationships and interactions between the leading
500 new (web) media firms.
?a.. Internet Industry Map - Ownership and
alliances determine status, control, and access in the Internet industry. A
revealing organizational chart.
?a.. The Internet Weather Report measures
Internet performance, latency periods and downtime based on a sample of 4000
domains.
?a.. Real Time Geographic Visualization of WWW Traffic - a
stunning, 3-d representation of web usage and traffic statistics the world
over.
WebBrain and Map.net provide a graphic rendition of the Open
Directory Project. The thematic structure of the ODP is instantly
discernible.
The WebMap is a visual, multi-category directory which
contains 2,000,000 web sites. The user can zoom in and out of sub-categories and
"unlock" their contents.
Maps help write fiction, trace a user's
clickpath (replete with clickable web sites), capture Usenet and chat
interactions (threads), plot search results (though Alta Vista discontinued its
mapping service and Yahoo!3D is no more), bookmark web destinations, and
navigate through complex sites.
Different metaphors are used as
interface. Web sites are represented as plots of land, stars (whose brightness
corresponds to the web site's popularity ranking), amino-acids in DNA-like
constellations, topographical maps of the ocean depths, buildings in an urban
landscape, or other objects in a pastoral setting. Virtual Reality (VR) maps
allow information to be simultaneously browsed by teams of collaborators,
sometimes represented as avatars in a fully immersive environment. In many
applications, the user is expected to fly amongst the data items in virtual
landscapes. With the advent of sophisticated GUI's (Graphic User Interfaces) and
VRML (Virtual Reality Markup Language) - these maps may well show us the way to
a more colourful and user-friendly future.
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